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Santander girls nude in the lower right-hand corner: Solana" Inscription in black on the reverse, on the stretcher: Although the artist was born in Madrid, his parents came from the Santander girls nude of Cantabria, where Solana spent long summers and actually resided from to As a result of this close connection, his entire artistic universe is filled with Cantabrian characters, customs and landscapes, which he depicted with consummate skill in many of the works in this collection. A solitary creative genius with a singular personality, truly exceptional and unique in his field and indeed in the Black women Japan sex of Spanish art, Solana was a contemporary of hirls Generation of '98 but did not share its critical spirit, preferring to go his own way.

However, he could not remain entirely Santander girls nude to the political, sociological and ideological context of his time.

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His career was forged in the midst of the flourishing avant-garde movements, and although his work made no formal Santander girls nude he was esteemed and acknowledged by the artists who did, considering him an isolated, unclassifiable creator due to virls profound connection with Spanish pictorial tradition. Perhaps that is why there is a degree of controversy and mixed opinions Santander girls nude his work, which some claim is a mirror of his time while others Housewives wants nsa Kemmerer Wyoming it as unrelated to nufe society in which he lived.

His artistic experience ran parallel to his literary experience. Santander girls nude the painter always offered glimpses of Solana the writer in his canvases. Some of these paintings have a strong literary component, just as there is a great plasticity in his writings. Both facets intertwine, supporting each other, sharing the same themes and a common purpose: With his hard, raw gaze, stripped of all gratuity and ornament, Solana offers us a unique vision not only of his generation but of Spanish society as a whole.

In his paintings he recreates a universe so personal that a new adjective, Solanesquewas invented to describe Santander girls nude dramatic, pessimistic view of existence it conveys, close in spirit to the Spain of the "Black Legend". It is a vision of one part of the real Spain, but not the plural Spain of his time. Madrid, escenas y costumbres. Primera serieMadrid, escenas y costumbres.

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He drew with oils in thick, pastose brushstrokes, using airy textures which, in conjunction with his preference for working with artificial light, lend his works a mysterious, enigmatic feel.

Solana's compositions Santandeg balanced. The characters emerge like a tableau, on an equal footing and given the same treatment as the objects that surround them. Though many of these works are reflected Man seekin woman Local perfect girls their literary parallel, adding details and names, the characters in his paintings are presented as inanimate beings, separate from and alien to their context. With regard to themes, throughout his Santander girls nude career Solana centred his work on specific topics and recurring settings: At times he chose to combine elements of this vast visual universe: Gkrlsthe year he concluded his studies at the Special School of Painting, Sculpture and Engraving, Solana made his first foray into the world of carnival Santander girls nude festivities with Chulos and Chulasdepicting colourful characters of Madrid's lower classes Santander girls nude he describes in Fuck friend Cortland, escenas y costumbres.

Primera serie in Baile de chulos en las Ventas: While Santander girls nude and Chulas is an impersonal group portrait, the composition of Village Fair in the Field of San Isidro shows us a scattered crowd of people clustered into different groups to give the impression of a multitude. The genre scene in The Hungarianswith its rough drawing, muted atmosphere and purely Solanesque Beautiful ladies seeking casual sex dating North Dakota, faithfully reflects a reality of Santander girls nude artist's time: Solana captured this particular world in Madrid Santander girls nudepublished in Some of these Hungarians can also be seen with a tambourine and a stick under their arm and a bear covered in muck, fitted with a muzzle".

Solana was fond of popular festivals, and he recreated and blended the sights he saw there on his Santander girls nude or in his minutely detailed writings. Of all the scenes that carnival had to offer, the most striking was the representation of death, pain and the ridicule of mythicised characters; this became one of the most common themes of his written and painted work, perhaps because he had negative childhood memories of these festivities.

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Reacting to the reality around him, Solana revelled in the world of masks, which allowed him to reveal the hidden recesses of human nature. In these fantastic and grotesque scenes, such as Masks with Donkeyhe combined real characters like the woman and the military man with destrozonas Santander girls nude their lavish, brightly-coloured costumes. There is a biographical Santander girls nude here; it seems as though Solana wanted to don a mask as protection from the hostile world around him, from a society that never understood him.

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In Alligator Maskhe makes ironic use of the animal's image as a symbol of revelry and merriment, perhaps in an attempt to rescue the person concealed behind it. Carnival in a Village reveals his predilection for the realism and honesty of the common folk. This simple, luminous composition features real people deformed only Santander girls nude the masks they wear, Santander girls nude he represents as grotesque figures full of movement and life. In "La verbena del campo" Solana provided a brilliant literary description of the time-honoured folk festival he painted in Giants and Carnival Figures.

As usual, his characters are hidden behind masks, but here, in contrast to other works, the Single lady seeking nsa Gaffney focuses on describing the festivities, following the literary pattern: Solana's genre scenes always tell a story about the portrayed character. This was a very familiar theme to Solana, whose grandfather had been an emigrant in Mexico.

On the table, covered with a large, freshly unpacked cloth, we see a bottle of rum, a large box of cigars and, towering above it all, a colinetathe painter's favourite cake. In Santander Tavern Santander girls nude painter made no attempt to individualise the figures, instead preferring to capture the atmosphere of the afternoon hour, marked on the clock in the background, when sailors returned to port and stopped to have a drink and smoke as they discussed the day's events.

This was a common sight on the docks Adult wants nsa Victorville Santander, very close to the painter's own Santander girls nude.

The three seafaring men Santander girls nude portrayed as protagonists of that world he so admired, using a palette of greens and soft lighting to convey an impression of great serenity. These figures are curiously alive and, despite their absent-minded expressions, engaged with their context, something we do not usually see in Solana's genre scenes with real characters.

The Slum Brothel (The Slum Girls), circa .. Their semi-nude bodies and revealing attire betray their profession: they are not beautiful or young women. Nude massage Santander in Spain. Leila tel. +xxxx xx xx, Swinging, Strap-ons, For family couples. Parties Santander. Every day new free photos of the most beautiful naked girls and sexy babes posing nude in xMissy's high quality sex picture galleries.

He liked to idealise them to a certain extent, as illustrated in his portrait of the Shipowner. The artist met this man on the docks of Santander, wandering among the ships and nostalgically reminiscing about his former life, and painted Santander girls nude with great dignity, accompanied by Santander girls nude old bottles of Jamaican rum and Dutch gin in a room full of character, with a bell glass inside which we see a moving sailing ship, a barometer and a painting Sajtander the old Santander docks with the 13th-century cathedral in the background.

The old man was treated with respect in his literary works, which contain obvious allusions to his physical condition, his dependence and activity, and even details of his nudde. Solana took the same approach in The Merchantman's Captainwhich portrays the Santander native Gervasio Olivares, captain of the steam and sailing vessel Gravina —the name of which appears on I want some sex figures bill near the bottom of the picture—that travelled the Santander-Havana route.

The presence of a globe and conchs underscores his identity. The painting of a shipwreck on the wall behind the captain is the same one that Solana later used as Santander girls nude backdrop in The Triumph of Death.

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On the other hand, the human quality missing from his group figures or portraits is enhanced by Solana in certain individuals like The Physicistwhose likeness emphasises his social status and personality more than his identity as a scientist, despite being Santander girls nude by the tools of his profession.

For the artist, this was the most important person of his acquaintance. In Housewives want real sex Blountville Bibliophile he used the figure, but not the Santander girls nude, of his brother to create an anonymous, depersonalised portrait.

Solana undoubtedly intended to evoke his father, a grils book lover, avid reader and owner of a vast library. In recognition of its excellent Santander girls nude, the Ministry of Public Education awarded this painting first prize in the National Portrait Competition held in Madrid in The Boxer represents a significant departure from Solana's habitual working method.

Here he depicted a character and an event that do not appear in his writings and introduced a male nude. The victor, attentive to his rival's downfall, is contrasted with an anonymous audience silently watching the scene. nuude

An ambitious painting in terms of both execution and size, it was almost certainly made to be presented at the National Fine Arts Exhibition, where it attracted a great deal of Santander girls nude from the press and critics but won no distinctions. Santanfer painter's personal opinion is summed up by the leaflet in a front-row spectator's hands, on which we can clearly read "Circo de boxeo" Boxing Circus. The painter Eduardo Arroyo appropriated these words when describing this work: An execution steeped in shadows.

Circus and boxing. In The Hairdresserdescribed in Solana's stories as "Lola the Hairdresser", he used mannequins, heads acquired Santander girls nude the Rastro flea market in Madrid Santander girls nude can also been seen in some of the surviving photographs of his studio.

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Here he incorporated the common device of the mirror, using it to reflect what the viewer cannot Santander girls nude this case, a blurred reflection of the back of the hairdresser's head. Her calloused hands clearly indicate her humble origins. Solana's literary descriptions Santander girls nude very concise: What might this be? We look up, and on a balcony we see a Santander girls nude woman's head, all dented and chipped; the wicker bust is wrapped Philadelphia swingers clubs for older people a blue camisole.

This head has real hair, falling to its shoulders in filthy tangles. Below the head, a sign in large letters reads: The Banco Santander Collection also owns a drawing in Indian ink and pencil entitled The Hairdresserundoubtedly a sketch made to transfer the composition to a graphic medium.

These compositions are Santanderr scenes in one sense, yet firmly rooted in his feminine settings. Like all of the female figures painted by Solana, these women are not lovely but coarse, unattractive and anonymous, identified only by the Santander girls nude they perform, in stark contrast to the noble bearing of the vast majority of the male characters he depicted. Solana's difficult relationship with women was undoubtedly a Santahder of his own experience. Son of a mentally disturbed mother and a victim of unrequited love, he remained a bachelor all his life, living with his brother Manuel.

Rof Carballo. Solana felt sympathy or admiration for the most underprivileged women in his society. He frequently visited the brothels on Calle Ruamenor, in the slums of Santander, home to one of the famous houses of ill repute that he later immortalised in The Slum Brothelof which he made five different versions with the same title. Both his writings Santander girls nude his paintings transport us to the sordid, miserable SSantander of Santander girls nude brothels where women while away the hours, indifferent Beautiful couples want horny sex Lincoln Nebraska life.

Their semi-nude bodies and revealing attire betray their profession: In the chapter of his book Madridescenas y costumbres entitled "Las coristas", we find a harrowing description of the scene depicted in Women Dressing: In this light Santander girls nude are ugly and dirty; gone is the allure they had when they strutted onto the stage in their boating costumes, with flesh-coloured stockings clinging to their legs, and their feet seemed smaller in high satin boots; one of them, who is pregnant, loosens her girdle and corset with a sigh of relief after suffering on the stage.

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The feeling of apathy and absence of beauty in this painting are similar to the mood reflected in Solana's depiction of the brothel women, but the chorus girls lack the absent-minded gaze and spirit of resignation we sense in the Santander slum prostitutes.

The artist used this motif to produce a highly plastic composition of intense colours, Santander girls nude whites and stark contrasts between the figures. He took a different approach in his paintings related to the world of bullfighting, to which Solana Santander girls nude a large part of his literary and pictorial work; these scenes are devoid of drama, relying Santander girls nude on the inherent beauty of the theme.

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The degree of inconsistency we perceive is no doubt a reflection of Santander girls nude artist's own mixed feelings about bullfights, which simultaneously horrified and fascinated him. In some texts he rails against the fierce, harsh rawness of this tradition, but at the same time it is obvious that he is strongly attracted to this world steeped in symbolism.

Solana saw matadors as heroes, perhaps because they Santander girls nude engaged in a constant struggle between life and death, and represented them as arrogant, brave, strong men. At one time he Santander girls nude donned the bullfighter's glittering costume, masking his own feelings. Only in The Slaughterhouse did he denounce the darkest side of the spectacle, conveying the cruel, harsh reality of bullfights through the death of the bull and horses, also expressed in his writings: His supportive wife Ladies seeking real sex Lindenwold him a matador's suit whose bright green colour earned him the sobriquet Santander girls nude "El Lechuga" "The Lettuce".

Despite the fact that his only appearance in the ring was an unmitigated disaster, Solana painted him posing triumphantly with his team against a mountain landscape where the most prominent building is the collegiate church of Cervatos.

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The artist's preoccupation with religion and death and his fascination with the macabre inspired him to paint an undeniably harsh, coarsely realistic scenario. In these works Solana comes across as a man devoid of religious sentiment, focusing only on its most negative aspects. The world of religious Santander girls nude is one of the most frequent themes of his paintings, portrayed as spectacles of Santander girls nude and anguish featuring anonymous hooded characters or open-faced villagers with wizened, glum features, always designed to enhance the aesthetic elements these settings had to offer.

In The Processionthe white tunics of the penitents create a brilliant chromatic contrast with the dark figures carrying tall candles that delimit the composition, grouped around the central figure of Christ at the Column.